Calendar
Events in March 2024
March 1, 2024 (3 events)
Art Gallery - Cerritos Collects - Recent Acquisitions
March 1, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 1, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Window Dressing - IMPOSSIBLE BINARIES
March 1, 2024
Loren LeBlanc
IMPOSSIBLE BINARIES
Feb 18 – Mar 2, 2024
Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized
figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked
dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative
gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced
historical interrogation of the artist’s own lived experience as a young black creative living in contemporary
America.
Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics
from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England.
Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques
seamlessly, creating intricate, evocative, life-sized figures.
Art Gallery WindowMarch 2, 2024 (2 events)
Window Dressing - IMPOSSIBLE BINARIES
March 2, 2024
Loren LeBlanc
IMPOSSIBLE BINARIES
Feb 18 – Mar 2, 2024
Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized
figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked
dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative
gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced
historical interrogation of the artist’s own lived experience as a young black creative living in contemporary
America.
Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics
from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England.
Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques
seamlessly, creating intricate, evocative, life-sized figures.
Art Gallery WindowWomen's Conference "Fortaleciendo a La Mujer"
–
March 2, 2024Spanish: La Division de Educacion Continuada esta celebrando la Decima Conferencia Anual en Espanol "Fortaleciendo a la Mujer 2024” en las areas de salud, educacion y civismo. Será presencial y completamente gratis. Todas las mujeres de nuestra comunidad y estudiantes estan cordialmente invitadas. Aparte de la conferencia tendremos 12 mesas de recursos para usteded. Es completamente gratis. Sabado 2 de Marzo a las 8 a.m. -1 p.m. Reserve su lugar desde ahora usando nuestro QR code en el flyer o llame (562) 860-2451 ext. 2518. Espacio Limitdado!
English: The Cerritos College Continuing Education Division is celebrating our 10th Annual Women's Conference in Spanish "Fortaleciendo a La Mujer 2024” in the areas of health, education and civics. All the women of our community and students are cordially invited. We will have lots of information to share as there will also be 12 resource tables. This conference is free at no cost. Saturday March 2 at 8 a.m.-12:30 p.m. Reserve your spot using our QRcode located on the flyer, using the google form link or by calling (562)860-2451 Ext. 2518. Space is Limited. Google Link: https://forms.gle/wEmvqv68BjNjKGNP9
Fine Arts 133March 3, 2024 (1 event)
Window Dressing - CON EL NOPAL EN LA FRENTE
March 3, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 4, 2024 (3 events)
Art Gallery - Cerritos Collects - Recent Acquisitions
March 4, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 4, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Window Dressing - CON EL NOPAL EN LA FRENTE
March 4, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 5, 2024 (5 events)
Art Gallery - Cerritos Collects - Recent Acquisitions
March 5, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 5, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - CON EL NOPAL EN LA FRENTE
March 5, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowChinese Lantern Festival
–
March 5, 2024Chinese Lantern Festival on March 5
Join our Lantern Festival for a Chinese cultural experience and learn about Mandarin language courses and Taiwan study abroad programs offered at Cerritos College. Enjoy lantern making, calligraphy, painting, sweet dumplings, and more! Tuesday, March 5, 6 - 7:30 p.m. in LA 103.
Liberal Arts - LA103March 6, 2024 (6 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Art Gallery - Cerritos Collects - Recent Acquisitions
March 6, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 6, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Window Dressing - CON EL NOPAL EN LA FRENTE
March 6, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowTrue Colors: LGBTQIA+ Support Group
–
March 6, 2024Join the True Colors: LGBTQIA+ support group beginning March 6 at 12 p.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee.
Santa Barbara BuildingAT&ST Virtual Drop-In (All Tech Majors Welcome)
–
March 6, 2024AT&ST VIRTUAL DROP-IN (APPLIED TECHNOLOGY & SKILLED TRADES ) LCP All Technology majors welcomed! No Appointment Needed bit.ly/ATSTDrop-In Architecture Auto Collision Repair Automotive Technology Cosmetology & Esthetician Engineering Technology Industrial Technology Machine Tool Technology New Product Development Plastics & Composites Welding Woodworking Field Iron Workers Available Counselors: Rigo Castro Veronica Herrera
Zoom - bit.ly/ATSTDrop-In
March 7, 2024 (5 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Art Gallery - Cerritos Collects - Recent Acquisitions
March 7, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 7, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Window Dressing - CON EL NOPAL EN LA FRENTE
March 7, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowFilm Screening: How to Train Your Dragon
–
March 7, 2024We invite students of the Equity Programs to join us for a screening of the action-adventurous, How to Train Your Dragon! Popcorn and other light refreshments will be provided. Seating will be available, and we will be outside. **It may be chilly; so, we encourage you to bring a chair or a blanket! ???
PAC Outside StageMarch 8, 2024 (4 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Art Gallery - Cerritos Collects - Recent Acquisitions
March 8, 2024
Cerritos Collects: Recent Acquisitions (in the Projects Room)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Art Gallery - Faculty Art Exhibition
March 8, 2024
Faculty Art Exhibition (in the main Gallery)January 25 - March 8, 2024Opening January 25 from 6-8PMArt Gallery - FA 107Window Dressing - CON EL NOPAL EN LA FRENTE
March 8, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 9, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - CON EL NOPAL EN LA FRENTE
March 9, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 10, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - CON EL NOPAL EN LA FRENTE
March 10, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 11, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 11, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 12, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 12, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 13, 2024 (5 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 13, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowUndocu Support Group
–
March 13, 2024Join the drop-in "We Are Here" support group for Undocu students on Wednesdays starting March 13 at 10 a.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee, at [email protected] for more information.
Santa Barbara BuildingTrue Colors: LGBTQIA+ Support Group
–
March 13, 2024Join the True Colors: LGBTQIA+ support group beginning March 6 at 12 p.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee.
Santa Barbara BuildingMarch 14, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 14, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 15, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 15, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 16, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - CON EL NOPAL EN LA FRENTE
March 16, 2024
Nube Cruz
CON EL NOPAL EN LA FRENTE
Mar 3 – Mar 16, 2024
Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a
physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older
indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing
that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to
activate the potential for contemporary liberation through the historical reconstruction, and innovative
development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s
advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard
Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders,
legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze.
Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist
research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of
indigenous futures might be engaged and activated.
Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions,
including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton
Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco
Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They
also work transnationally with indigenous activists in Mexico.
Art Gallery WindowMarch 17, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Spring Break
March 11, 2024 – March 17, 2024
Spring Break - No instruction
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 17, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 18, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 18, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowWomen's History Month - The Power of Stories
–
March 18, 2024The Power of Stories
with Dr. Vicki Ruiz
March 18, 11:00am - 12:15pm, PAC 107LC-155 Teleconference CenterMarch 19, 2024 (4 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 19, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowAT&ST Virtual Drop-In (All Tech Majors Welcome)
–
March 19, 2024AT&ST VIRTUAL DROP-IN (APPLIED TECHNOLOGY & SKILLED TRADES ) LCP All Technology majors welcomed! No Appointment Needed bit.ly/ATSTDrop-In Architecture Auto Collision Repair Automotive Technology Cosmetology & Esthetician Engineering Technology Industrial Technology Machine Tool Technology New Product Development Plastics & Composites Welding Woodworking Field Iron Workers Available Counselors: Rigo Castro Veronica Herrera
Zoom - bit.ly/ATSTDrop-In
President's Hour
–
March 19, 2024Take a moment to share what's on your mind with Dr. Fierro. No appointment necessary.Falcon SquareMarch 20, 2024 (6 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 20, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowUndocu Support Group
–
March 20, 2024Join the drop-in "We Are Here" support group for Undocu students on Wednesdays starting March 13 at 10 a.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee, at [email protected] for more information.
Santa Barbara BuildingTrue Colors: LGBTQIA+ Support Group
–
March 20, 2024Join the True Colors: LGBTQIA+ support group beginning March 6 at 12 p.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee.
Santa Barbara BuildingAT&ST Virtual Drop-In (All Tech Majors Welcome)
–
March 20, 2024AT&ST VIRTUAL DROP-IN (APPLIED TECHNOLOGY & SKILLED TRADES ) LCP All Technology majors welcomed! No Appointment Needed bit.ly/ATSTDrop-In Architecture Auto Collision Repair Automotive Technology Cosmetology & Esthetician Engineering Technology Industrial Technology Machine Tool Technology New Product Development Plastics & Composites Welding Woodworking Field Iron Workers Available Counselors: Rigo Castro Veronica Herrera
Zoom - bit.ly/ATSTDrop-In
Board of Trustees Meeting
–
March 20, 2024Meetings are held on Wednesdays in the Cheryl A. Epple Board Room of the Administration Building beginning at 7:00 p.m., unless otherwise noted.
Cheryl A. Epple Board RoomMarch 21, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 21, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 22, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 22, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 23, 2024 (3 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 23, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowFree Income Tax Preparation and Filing
–
March 23, 2024Come get your taxes prepared and filed for free on Saturday, March 23, 2024, at our annual VITA Event! VIew the flyer.
BE 116March 24, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 24, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 25, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 25, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 26, 2024 (4 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 26, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery Window15th Annual Community Resource Fair
–
March 26, 2024Stop by the Community Resource Fair and learn about:
- Resources available to you
- Volunteer opportunities
- Get your questions answered by local community service and social service agencies
- Enter our opportunity drawing to win fabulous prizes
Types of agencies expected to attend:
- On-Campus Resources
- Legal Aid
- Health Care
- Social Services
- Credit Counseling
- Child Care
- Emergency Shelters
- Treatment Programs & many more!
See flyer for more detailed information. Everyone is welcome!
Student CenterAT&ST Virtual Drop-In (All Tech Majors Welcome)
–
March 26, 2024AT&ST VIRTUAL DROP-IN (APPLIED TECHNOLOGY & SKILLED TRADES ) LCP All Technology majors welcomed! No Appointment Needed bit.ly/ATSTDrop-In Architecture Auto Collision Repair Automotive Technology Cosmetology & Esthetician Engineering Technology Industrial Technology Machine Tool Technology New Product Development Plastics & Composites Welding Woodworking Field Iron Workers Available Counselors: Rigo Castro Veronica Herrera
Zoom - bit.ly/ATSTDrop-In
March 27, 2024 (6 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 27, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowLA Regional Food Bank Distribution
–
March 27, 2024LOCATION: Falcon Stadium (at Alondra Blvd & Gridley Rd.)
PARKING & ENTRANCE: in Lot 1
**WALK UP SERVICES ONLY-NO DRIVE THRU**
- All are encouraged to bring their own bags carts dollies etc. and must carry their own food back to their parked vehicle or other transportation.
- Up to 40 lbs. of food provided while supplies last.
Lot 1Undocu Support Group
–
March 27, 2024Join the drop-in "We Are Here" support group for Undocu students on Wednesdays starting March 13 at 10 a.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee, at [email protected] for more information.
Santa Barbara BuildingTrue Colors: LGBTQIA+ Support Group
–
March 27, 2024Join the True Colors: LGBTQIA+ support group beginning March 6 at 12 p.m. in the Santa Barbara Building. Contact Alex Cedas, MFT Trainee.
Santa Barbara BuildingAT&ST Virtual Drop-In (All Tech Majors Welcome)
–
March 27, 2024AT&ST VIRTUAL DROP-IN (APPLIED TECHNOLOGY & SKILLED TRADES ) LCP All Technology majors welcomed! No Appointment Needed bit.ly/ATSTDrop-In Architecture Auto Collision Repair Automotive Technology Cosmetology & Esthetician Engineering Technology Industrial Technology Machine Tool Technology New Product Development Plastics & Composites Welding Woodworking Field Iron Workers Available Counselors: Rigo Castro Veronica Herrera
Zoom - bit.ly/ATSTDrop-In
March 28, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 28, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 29, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 29, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 30, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - AN INTERGENERATIONAL TRANSMISSION
March 30, 2024
Teresa Flores
AN INTERGENERATIONAL TRANSMISSION
Mar 17 – Mar 30, 2024
Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of
the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of
colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s
migration along the Pacific coast for generations. In exploring food and movement, collective art making and
nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing
installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The
window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells
out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los
Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the
makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the
sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a
twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video
was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern
California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families
while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to
survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our
capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection.
East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings,
videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los
Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with
Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied
drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis
College of Art and Design, where she earned the recognition of Outstanding Alumni.
Art Gallery WindowMarch 31, 2024 (2 events)
Cal Grant Priority Deadline is April 2
March 5, 2024 – April 2, 2024
The Cal Grant priority deadline is APRIL 2. Students, submit/renew your FAFSA or CA Dream Act application for the 2024-2025 academic year before the APRIL 2 deadline to maximize your award consideration for the Cal Grant program. Come by the Financial Aid Office if you need assistance completing your FAFSA or CA Dream Act financial aid applications.
Window Dressing - WHAT DOES HE OWE US?
March 31, 2024
Nancy Buchanan
WHAT DOES HE OWE US?
Mar 31 – Apr 13, 2024
During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating
donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe
Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale
murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded
coronation carriage and an oozing hamburger.
Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the
infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces
installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the
Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been
included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los
Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient
of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was
included in the 58th Carnegie International.
Art Gallery Window