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September 26, 2021
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September 27, 2021(1 event)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). |
September 28, 2021(1 event)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). |
September 29, 2021(2 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link |
September 30, 2021(2 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). 11:00 am: Cerritos College 2021-2022 Convocation11:00 am: Cerritos College 2021-2022 Convocation – THURSDAY, SEPTEMBER 30 | 11 a.m. – 12:30 p.m.
Please use this link to register: https://cerritos-edu.zoom.us/webinar/register/WN_EHL94exATXukJucg8iXfuQ |
October 1, 2021(6 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. 12:00 pm: Finding Funds for Falcons Club12:00 pm: Finding Funds for Falcons Club – Finding Funds for Falcons Club on 1st Friday of the month 2:00 pm: Cerritos Reads - A Collar in My Pocket2:00 pm: Cerritos Reads - A Collar in My Pocket – Join us for our continuing reading activity for students, staff and faculty for the book A Collar in My Pocket by Jane Elliot. "In response to the assassination of Martin Luther King, Jr. in 1968, Elliot devised the controversial and startling "Blue Eyes/Brown Eyes" Exercise in Discrimination." (Elliot, back cover) Monthly meetings: 2-3PM on 9/3, 10/1, 11/5, 12/3 We look forward to seeing you, discussing this controversial book, and hearing your ideas. By the way, Cerritos College provides the book for each participant! Topic: A Collar In My Pocket by Jane Elliott Time: Sep 3, 2021 02:00 PM Pacific Time (US and Canada) Every month on the First Fri, until Dec 3, 2021, 4 occurrence(s) Sep 3, 2021 02:00 PM Oct 1, 2021 02:00 PM Nov 5, 2021 02:00 PM Dec 3, 2021 02:00 PM
Join Zoom Meeting https://cerritos-edu.zoom.us/j/93153751328?pwd=UFlPaGhLUjViK0dDMWI2Z1doU3NqUT09
One tap mobile +14086380968,,93153751328# US (San Jose) +16699006833,,93153751328# US (San Jose)
Dial by your location +1 408 638 0968 US (San Jose) +1 669 900 6833 US (San Jose)
Meeting ID: 931 5375 1328 Passcode: 000442CR |
October 2, 2021(3 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. |
October 3, 2021(3 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. |
October 4, 2021(3 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. |
October 5, 2021(7 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. 10:45 am: Philosophy Club10:45 am: Philosophy Club – The Philosophy Club meets every week on Tuesdays from 10:45 - 12:15. Everyone is invited! Come once or every week! Here is the link to the zoom meeting:
Check out the webpage at https://www.cerritos.edu/philosophy/philosophy-club/default.htm
Follow us on Instagram or Facebook @philclubcerritos or Twitter @Phil_Cerritos
11:00 am: Psychology/PSI Beta Club11:00 am: Psychology/PSI Beta Club – Psychology/PSI Beta Club meets every other week on Tuesday 12:00 pm: Creating Community Social Hour in Honor of Latinx Heritage Month12:00 pm: Creating Community Social Hour in Honor of Latinx Heritage Month – 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 6, 2021(5 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link 7:00 pm: Board of Trustees Meeting7:00 pm: Board of Trustees Meeting – Cerritos College Board of Trustees meeting at 7 p.m. No in-person meeting Go to www.cerritos.edu/board for more information on LiveStream of meetings |
October 7, 2021(5 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. 11:00 am: KPOP Club11:00 am: KPOP Club – KPOP Club meets the first Thursday and Last Saturday of each month 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 8, 2021(4 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. 1:00 pm: Celebrating our Latinx clubs - MEChA Info Session1:00 pm: Celebrating our Latinx clubs - MEChA Info Session – |
October 9, 2021(3 events)
N/A: WINDOW DRESSING: Juan Gomez - Keepers of AfflictionN/A: WINDOW DRESSING: Juan Gomez - Keepers of Affliction N/A Juan Gomez Juan Gomez’s Keepers of Affliction marks the artist’s ongoing project to visualize the physical and emotional wounds that are inflicted on migrant families, as well as the generational traumas that are also brought to bear upon their descendants. By surfacing, however abstractly, the suffering and loss that comes with geographic and cultural displacement, Gomez hopes to also present art itself as a powerful curative and artmaking, therefore, as an act of redemption and healing. As is often the case in the immigrant experience, personal suffering can too easily be accepted as just a part of the process, forcing the scars of trauma into a suppressed state, only to have them return as further forms of trauma down the line. Both catharsis and cure, Keepers of Affliction presents this repressed suffering as material manifestations of memory, complete with ‘injuries’ made from cotton rounds that are covered with illustrations of scarified keloidal tissue. In doing so, it recognizes that discomfort is a natural reaction to displacement and the embrace of such feelings, rather than their outright rejection, can actually operate as a collective salve, leading ultimately to healthier forms of adaptation and cultural evolution across generations. An exhibition of remembrance, devastation, and emancipation, the installation unites a series of fifteen of these abstract memory objects, each representing the artist’s own immigrant family’s experience of migration (and epigenetic transmigration). Individually, each object holds within it a lineage of struggle, sacrifice, and prosperity. Together, they present a pattern that bonds each to the other, a decentralized network that gives voice to the voiceless and, ideally, heals the very wounds that have been laid bare. Juan Gomez is a Santa Ana and Long Beach-based mixed-media artist. His work has been exhibited in solo shows at Greenly Art Space and Magoski Art Colony and in group exhibitions at Flatline Gallery, Flux Art Space, SoLA Contemporary, the Huntington Beach Art Center, Irvine Fine Arts Center, the Los Angeles Municipal Art Gallery, and the Orange County Center for Contemporary Art. He holds a BFA in Painting and Drawing from Cal State Fullerton. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. |
October 10, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: Theatre Production: MACHINALN/A: Theatre Production: MACHINAL N/A MACHINAL is available for viewing from 8:00 p.m. Friday, October 1, 2021 through Midnight Sunday, October 10, 2021. Please go to the following YouTube URL Viewing Link: MACHINAL film: https://youtu.be/zzYsMTPJVHA MACHINAL is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. It is considered one of the highpoints of Expressionist theatre on the American stage. SYNOPSIS: A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair. |
October 11, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 12, 2021(7 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 10:45 am: Philosophy Club10:45 am: Philosophy Club – The Philosophy Club meets every week on Tuesdays from 10:45 - 12:15. Everyone is invited! Come once or every week! Here is the link to the zoom meeting:
Check out the webpage at https://www.cerritos.edu/philosophy/philosophy-club/default.htm
Follow us on Instagram or Facebook @philclubcerritos or Twitter @Phil_Cerritos
11:00 am: Alpha Gamma Sigma11:00 am: Alpha Gamma Sigma – Alpha Gamma Sigma meets on Tuesday (2nd and 4th Tuesday of the month) Zoom 3:00 pm: Phi Beta Lambda/Business Club3:00 pm: Phi Beta Lambda/Business Club – Phi Beta Lambda/Business Club meets on the 2nd and 4th Tuesday of the month. Email [email protected] for link to meeting 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 13, 2021(4 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 2:00 pm: CARE Program Information Session on Zoom2:00 pm: CARE Program Information Session on Zoom – The C.A.R.E. Program provides resources and support necessary for disadvantaged, single, head of household, CalWORKs/TANF recipients to improve their educational opportunities and seek to enhance their employability, establish self-sufficiency through enrollment and completion of a degree or job training program and more. To find out if your are eligible for the CARE Program, pop in and check it out! This workshop is sponsored by the Re-Entry Program, but all interested students are welcome to attend. Students can sign up by visiting the Re-Entry Program website's Workshops & Events page. Once you register, an email with the zoom link will be sent to you.
Zoom 11110 Alondra Blvd. Norwalk, CA 90650 United States 562-860-2451, ext. 2362 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link |
October 14, 2021(6 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 10:00 am: Popol Vuh: Epic of Origins10:00 am: Popol Vuh: Epic of Origins – Popol Vuh: Epic of Origins 12:30 pm: Environmental Club12:30 pm: Environmental Club – Environmental Club meets on Thursday - 2nd and 4th Thursday of the month 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 15, 2021(4 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 11:00 am: CalWORKs Program Information Session11:00 am: CalWORKs Program Information Session – The CalWORKs Program is a state-funded program that assists current welfare recipients in achieving long-term self-sufficiency through the attainment of higher education. The program focuses on providing eligible students with special support services to assist with educational and career goals. To find out if you are eligible for the CalWORKs Program, join us! Students can sign up by visiting the Re-Entry Program's Workshops & Events webpage. Once you register, you will receive a confirmation email with the zoom link to join. This workshop is sponsored by The Re-Entry Program, but all interested students are welcome to attend. Zoom 11110 Alondra Blvd. Norwalk, CA 90650 United States 562-860-2451, ext. 2362 |
October 16, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 17, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 18, 2021(3 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 19, 2021(8 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 10:45 am: Philosophy Club10:45 am: Philosophy Club – The Philosophy Club meets every week on Tuesdays from 10:45 - 12:15. Everyone is invited! Come once or every week! Here is the link to the zoom meeting:
Check out the webpage at https://www.cerritos.edu/philosophy/philosophy-club/default.htm
Follow us on Instagram or Facebook @philclubcerritos or Twitter @Phil_Cerritos
11:00 am: Dental Assisting Club11:00 am: Dental Assisting Club – 11:00 am: Psychology/PSI Beta Club11:00 am: Psychology/PSI Beta Club – Psychology/PSI Beta Club meets every other week on Tuesday 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 20, 2021(4 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link |
October 21, 2021(5 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 22, 2021(3 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 23, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of NowN/A: WINDOW DRESSING: Jason Jenn - A Field Guide to the Timelessness of Now N/A Jason Jenn Jason Jenn’s a field guide to the timelessness of now is a site-specific installation created from a process of carefully gathering leaves and other plant items from the local environment close to the exhibition site. They are dried and painted with metallic leaf in different patterns, then arranged into custom geometric forms reminiscent of mandalas. They are pinned to the wall, or attached to other materials, based on site-specific conditions. For this new installation at the Cerritos College Art Gallery, Jenn will intuitively create a series of unique shapes and designs to fit the space of the display window. In advance of the installation, Jenn will visit the campus and local community to gather natural materials and return to the studio to adapt for use. There is always an element of surprise that emerges from the process based on the conditions of each location. As Jenn points out, humanity these days is quite disconnected from the natural environment. By creating mandalas, historically meant for spiritual reflection and focus, out of the very natural materials from the surrounding environment, the artist hopes to re-establish a connection between the natural world, the gallery space, and the viewer. Despite its meager size, the complex structure of a leaf is a thing of beauty in and of itself. It inspires many meanings and possibilities. Even in death, the dried form is intimately connected with life. As part of nature's sublime cycle, it will return to the earth via decomposition to feed other forms of life. The metallic leaf on the leaves (a knowing pun) reminds the viewer of nature's divinity and echoes the use of precious metals in holy items throughout numerous cultures. Jenn encourages and invites viewers to develop a unique relationship with these mandalas, whatever form that may take. Whether one slows down to admire the details or has a quick moment to take a selfie, each possesses its own particular merits in this context as both are reinserting themselves into a symbolic reconnection with and appreciation of nature. Jason Jenn is an interdisciplinary multimedia artist, with various roles as performer, writer, visual artist, director, producer, designer, curator, and video editor. He creates for exhibition on stage, on screen, on the page, in galleries, and at site-specific locations. Selected performance highlights include Ecstasy for Everyone at Vashon Center for the Arts, Rear Opening: A Performance Tribute to the Gutter Art of Stephen Varble at One Archives, and Temptations in Fairyland at Moah:Cedar. Recent curatorial projects and gallery exhibitions include Sanctuary of the Aftermath at Angel’s Gate Cultural Center, Even Sparkles Have Shadows at the Torrance Art Museum, and What Is It About trees at El Camino College Art Gallery. Jenn holds a Bachelor of Arts degree in Film & Media Production and Theater Arts from the University of Iowa. WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 24, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
October 25, 2021(3 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm N/A: Spring 2022 Priority enrollment beginsN/A: Spring 2022 Priority enrollment begins N/A
Additional information can be found online at https://www.cerritos.edu/spring |
October 26, 2021(8 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 10:45 am: Philosophy Club10:45 am: Philosophy Club – The Philosophy Club meets every week on Tuesdays from 10:45 - 12:15. Everyone is invited! Come once or every week! Here is the link to the zoom meeting:
Check out the webpage at https://www.cerritos.edu/philosophy/philosophy-club/default.htm
Follow us on Instagram or Facebook @philclubcerritos or Twitter @Phil_Cerritos
11:00 am: Alpha Gamma Sigma11:00 am: Alpha Gamma Sigma – Alpha Gamma Sigma meets on Tuesday (2nd and 4th Tuesday of the month) Zoom 12:00 pm: Active Minds Club12:00 pm: Active Minds Club – 12:00 pm: Papel Picado Workshop12:00 pm: Papel Picado Workshop – Papel Picado Workshop 3:00 pm: Phi Beta Lambda/Business Club3:00 pm: Phi Beta Lambda/Business Club – Phi Beta Lambda/Business Club meets on the 2nd and 4th Tuesday of the month. Email [email protected] for link to meeting 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 27, 2021(3 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link |
October 28, 2021(6 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 12:30 pm: Environmental Club12:30 pm: Environmental Club – Environmental Club meets on Thursday - 2nd and 4th Thursday of the month 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
October 29, 2021(4 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 3:00 pm: Student Alliance for Equality Club3:00 pm: Student Alliance for Equality Club – |
October 30, 2021(3 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 11:00 am: KPOP Club11:00 am: KPOP Club – KPOP Club meets the first Thursday and Last Saturday of each month |
October 31, 2021(2 events)
N/A: October's Domestic Violence Awareness Month Donation DriveN/A: October's Domestic Violence Awareness Month Donation Drive N/A October marks the beginning of Domestic Violence Awareness Month (DVAM). In addition to the workshops being hosted, Falcon Safe has partnered with Falcon’s Nest to host a donation drive throughout the month of October (1-31) to collect vital items to be distributed to Cerritos College students via the Falcon’s Nest. All donations will be accepted, but the most essential and sought-after items are undergarments (e.g. sports bras, boxers/briefs, panties, etc.). Donations must be brand new and in the original packaging. They can be any color, style, pattern, or size. Donation boxes have been placed in various departments throughout campus. There are currently donation boxes located in: A prize will be issued to the department that collects the most donations!!! We genuinely appreciate your support in providing necessities for our students. Ready, set, donate! N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |
November 1, 2021(2 events)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm N/A: Spring 2022 Continuing student enrollment beginsN/A: Spring 2022 Continuing student enrollment begins N/A
Additional information can be found online at https://www.cerritos.edu/spring |
November 2, 2021(5 events)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 10:45 am: Philosophy Club10:45 am: Philosophy Club – The Philosophy Club meets every week on Tuesdays from 10:45 - 12:15. Everyone is invited! Come once or every week! Here is the link to the zoom meeting:
Check out the webpage at https://www.cerritos.edu/philosophy/philosophy-club/default.htm
Follow us on Instagram or Facebook @philclubcerritos or Twitter @Phil_Cerritos
11:00 am: Psychology/PSI Beta Club11:00 am: Psychology/PSI Beta Club – Psychology/PSI Beta Club meets every other week on Tuesday 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
November 3, 2021(4 events)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 12:00 pm: Dia de Los Muertos12:00 pm: Dia de Los Muertos – Dia de Los Muertos 2:00 pm: The Falcon's Nest/Basic Needs 101 Workshop2:00 pm: The Falcon's Nest/Basic Needs 101 Workshop – Learn about our newest resource for students, The Falcon's Nest! Case Manager, Pamela Sepulveda will share about the resources available to our students, including food, hygiene items, Emergency Aid, and both on and off campus resources. Students/Staff may sign up on the attached flyer or by visiting the Re-Entry Program website at: https://www.cerritos.edu/re-entry-program/workshops-and-events.htm
Zoom 11110 Alondra Blvd. Norwark, CA 90650 (562) 860-2451, ext. 2362 3:00 pm: Grief & Growth Support Group3:00 pm: Grief & Growth Support Group – This support group is focused on providing a space for those who have experienced loss and looking to receive support from others. The group will also offer education on the grieving process and how to cope with grief. Please contact [email protected] for the zoom link |
November 4, 2021(3 events)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 11:00 am: KPOP Club11:00 am: KPOP Club – KPOP Club meets the first Thursday and Last Saturday of each month 4:00 pm: Forensics/Speech and Debate Club4:00 pm: Forensics/Speech and Debate Club – Forensics/Speech and Debate Club every Tuesday and Thursday |
November 5, 2021(3 events)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm 12:00 pm: Finding Funds for Falcons Club12:00 pm: Finding Funds for Falcons Club – Finding Funds for Falcons Club on 1st Friday of the month 2:00 pm: Cerritos Reads - A Collar in My Pocket2:00 pm: Cerritos Reads - A Collar in My Pocket – Join us for our continuing reading activity for students, staff and faculty for the book A Collar in My Pocket by Jane Elliot. "In response to the assassination of Martin Luther King, Jr. in 1968, Elliot devised the controversial and startling "Blue Eyes/Brown Eyes" Exercise in Discrimination." (Elliot, back cover) Monthly meetings: 2-3PM on 9/3, 10/1, 11/5, 12/3 We look forward to seeing you, discussing this controversial book, and hearing your ideas. By the way, Cerritos College provides the book for each participant! Topic: A Collar In My Pocket by Jane Elliott Time: Sep 3, 2021 02:00 PM Pacific Time (US and Canada) Every month on the First Fri, until Dec 3, 2021, 4 occurrence(s) Sep 3, 2021 02:00 PM Oct 1, 2021 02:00 PM Nov 5, 2021 02:00 PM Dec 3, 2021 02:00 PM
Join Zoom Meeting https://cerritos-edu.zoom.us/j/93153751328?pwd=UFlPaGhLUjViK0dDMWI2Z1doU3NqUT09
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Meeting ID: 931 5375 1328 Passcode: 000442CR |
November 6, 2021(1 event)
N/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For EveryoneN/A: WINDOW DRESSING: Heimir Björgúlfsson - Arctics Are Not For Everyone N/A Heimir Björgúlfsson Heimir Björgúlfsson’s installation, Arctics Are Not For Everyone, exists somewhere between a decorative window display and a vitrine-ensconced cabinet of curiosities. A number of three-dimensional assemblages, recalling both Surrealistic sculptures and rogue taxidermy spectacles, are set against a backdrop of seemingly hand-drawn wallpaper and gaudy pink neon signs. Through their awkward combinations, the sculptural works examine how animal species adapt to changing habitats and endure the effects of urbanization and climate change alike. They also function as a kind of cultural trophy, presented as if products on display in a trendy souvenir shop. The wallpaper consists of black and white illustrations of bird’s feet, as if functioning as a pseudo-Darwinian evolutionary classification system. The scientific stringency of these illustrations are, however, undermined by the neon overlay of a giant pink talon, casting its eerie glow. Another pink neon sign wraps around the corner, presenting various iterations of the phrase arctics are not for everyone, depending on where one happens to be standing. Overall, the installation, presents a purposefully ambiguous take of humanity’s clash with the broader natural environment, embracing the awkwardness of such situations and the coincidental narratives that might take shape from such interactions. Heimir Björgúlfsson is an Icelandic artist born in Reykjavík and currently living and working in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands. Björgúlfsson has been exhibited in various solo and group exhibitions throughout Europe and the United States, such as The Living Art Museum, Reykjavík; Kópavogur Art Museum, Kópavogur, Iceland; Fries Museum, Leeuwarden, Netherlands; W139, Amsterdam; Gemeente Museum, The Hague; Reykjavík Art Museum, Reykjavík; The Biennale for International Light Art, Ruhr, Germany; Stenersen Museum, Oslo; Museum of Fine Arts, Houston; and the Los Angeles Municipal Art Gallery.
WINDOW DRESSING is an annual cycle of short-term installations in the window vitrine on the exterior of the Fine Arts Building. Individual installations run for two weeks only. Due to Covid restrictions, during the Fall semester the Cerritos College Art Gallery's Main Gallery will be closed, however, the Window Dressing installations can be viewed safely from outside in the open air (all visitors must remain masked and maintain proper social distance). https://www.cerritos.edu/art-gallery/main-pages/exhibitions_2021_windowdressing.htm |