Calendar
Events in March 2024
SunSunday | MonMonday | TueTuesday | WedWednesday | ThuThursday | FriFriday | SatSaturday |
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February 25, 2024(1 event)
Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESFebruary 25, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window |
February 26, 2024(4 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsFebruary 26, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionFebruary 26, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESFebruary 26, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window 1:00 pm: 2024 Financial Aid Awareness Fair1:00 pm: 2024 Financial Aid Awareness Fair – The financial aid awareness fair is an event designed to educate students and families about the different types of financial aid available to help pay for college and to make students aware of the various resources and services available across campus. Library Sidewalk |
February 27, 2024(5 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsFebruary 27, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionFebruary 27, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESFebruary 27, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window 10:00 am: 2024 Financial Aid Awareness Fair10:00 am: 2024 Financial Aid Awareness Fair – The financial aid awareness fair is an event designed to educate students and families about the different types of financial aid available to help pay for college and to make students aware of the various resources and services available across campus. Library Sidewalk 11:00 am: Black Future Month: R&B Yoga11:00 am: Black Future Month: R&B Yoga – R&B Yoga Tuesday, February 27th – 11 a.m.-12 p.m. Student Center South Stage Namaste in good health. Come out and do some chair, cat, and tree poses to increase your mental and physical health, breaking a sweat to some R&B/Hip-Hop Music. Host: Umoja & BEC Student Center Stage |
February 28, 2024(3 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsFebruary 28, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionFebruary 28, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESFebruary 28, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window |
February 29, 2024(4 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsFebruary 29, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionFebruary 29, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESFebruary 29, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window 3:00 pm: Black Future Month: Voices of Black Interpreters3:00 pm: Black Future Month: Voices of Black Interpreters – Voices of Black Interpreters Thursday, February 29th – 3 p.m.-5 p.m. | LA- 103 Black interpreters share their stories of interpreting while black, talking about their journey what led them to become ASL interpreters, and the Hardship they experienced while working in the ASL interpreters’ field. Host: SAS and BEC Liberal Arts - LA103 |
March 1, 2024(3 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 1, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 1, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESMarch 1, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window |
March 2, 2024(2 events)
Window Dressing - IMPOSSIBLE BINARIESWindow Dressing - IMPOSSIBLE BINARIESMarch 2, 2024 Loren LeBlanc IMPOSSIBLE BINARIES Feb 18 – Mar 2, 2024 Loren LeBlanc’s Window Dressing installation, Impossible Binaries, consists of a surreal arrangement of four lifesized figurative sculptures constructed entirely by hand using a 3D printing pen and accentuated with hand-picked dried floral ornamentation. Seeming to defy gravity, these dynamic forms are presented in various evocative gestural poses as a means of exploring personal truths built around a future-focused curiosity and nuanced historical interrogation of the artist’s own lived experience as a young black creative living in contemporary America. Loren LeBlanc is an emerging figurative multimedia sculptor currently based in Inglewood, CA. He holds a BA in Studio Art and Economics from Cal Poly Humboldt in Northern California and a MA in Illustration from Arts University of Bournemouth in the south of England. Employing a unique self-taught approach, he fuses handheld 3D printing pen technology with traditional clay sculpting techniques seamlessly, creating intricate, evocative, life-sized figures. Art Gallery Window 8:00 am: Women's Conference "Fortaleciendo a La Mujer"8:00 am: Women's Conference "Fortaleciendo a La Mujer" – Spanish: La Division de Educacion Continuada esta celebrando la Decima Conferencia Anual en Espanol "Fortaleciendo a la Mujer 2024” en las areas de salud, educacion y civismo. Será presencial y completamente gratis. Todas las mujeres de nuestra comunidad y estudiantes estan cordialmente invitadas. Aparte de la conferencia tendremos 12 mesas de recursos para usteded. Es completamente gratis. Sabado 2 de Marzo a las 8 a.m. -1 p.m. Reserve su lugar desde ahora usando nuestro QR code en el flyer o llame (562) 860-2451 ext. 2518. Espacio Limitdado! English: The Cerritos College Continuing Education Division is celebrating our 10th Annual Women's Conference in Spanish "Fortaleciendo a La Mujer 2024” in the areas of health, education and civics. All the women of our community and students are cordially invited. We will have lots of information to share as there will also be 12 resource tables. This conference is free at no cost. Saturday March 2 at 8 a.m.-12:30 p.m. Reserve your spot using our QRcode located on the flyer, using the google form link or by calling (562)860-2451 Ext. 2518. Space is Limited. Google Link: https://forms.gle/wEmvqv68BjNjKGNP9 Fine Arts 133 |
March 3, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 3, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 4, 2024(3 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 4, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 4, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 4, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 5, 2024(4 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 5, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 5, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 5, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window 6:00 pm: Chinese Lantern Festival6:00 pm: Chinese Lantern Festival – Chinese Lantern Festival on March 5 Join our Lantern Festival for a Chinese cultural experience and learn about Mandarin language courses and Taiwan study abroad programs offered at Cerritos College. Enjoy lantern making, calligraphy, painting, sweet dumplings, and more! Tuesday, March 5, 6 - 7:30 p.m. in LA 103. Liberal Arts - LA103 |
March 6, 2024(3 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 6, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 6, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 6, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 7, 2024(4 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 7, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 7, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 7, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window 5:00 pm: Film Screening: How to Train Your Dragon5:00 pm: Film Screening: How to Train Your Dragon – We invite students of the Equity Programs to join us for a screening of the action-adventurous, How to Train Your Dragon! Popcorn and other light refreshments will be provided. Seating will be available, and we will be outside. **It may be chilly; so, we encourage you to bring a chair or a blanket! ??? PAC Outside Stage |
March 8, 2024(3 events)
Art Gallery - Cerritos Collects - Recent AcquisitionsArt Gallery - Cerritos Collects - Recent AcquisitionsMarch 8, 2024 Cerritos Collects: Recent Acquisitions (in the Projects Room)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Art Gallery - Faculty Art ExhibitionArt Gallery - Faculty Art ExhibitionMarch 8, 2024 Faculty Art Exhibition (in the main Gallery)
January 25 - March 8, 2024
Opening January 25 from 6-8PM
Art Gallery - FA 107 Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 8, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 9, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 9, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 10, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 10, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 11, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 11, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 12, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 12, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 13, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 13, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 14, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 14, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 15, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 15, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 16, 2024(1 event)
Window Dressing - CON EL NOPAL EN LA FRENTEWindow Dressing - CON EL NOPAL EN LA FRENTEMarch 16, 2024 Nube Cruz CON EL NOPAL EN LA FRENTE Mar 3 – Mar 16, 2024 Nube Cruz’s Window Dressing installation, Con El Nopal En La Frente (With the Nopal on the Forehead), is a physical manifestation of their ongoing exploration of Nopal Futurity, an art practice that (re)mixes older indigenous technologies and the idea of Indigenous Futurity with a cuir/queer indigena perspective. Recognizing that Amerindigenous peoples have already been living in a post-apocalyptic world since 1492, Cruz’s work seeks to activate the potential for contemporary liberation through the historical reconstruction, and innovative development, of (new) Indigena cosmologies. By excavating the historical invisibility of native people’s advancement of, and contribution to, the technologies of modern society, Cruz hopes to disrupt the standard Western modernist narrative in order to rematriate, retrieve, and reconstruct images and obliterate the borders, legalities, histories, objects, resources, and bodies that have otherwise been co-opted by the colonial gaze. Through sculpture, photography, and performative video documentation, invoking what they call ‘indigie-archivist research,’ their installation will begin the necessary conversation on how the possibilities and potentialities of indigenous futures might be engaged and activated. Nube Cruz is and artist and activist currently completing their BFA degree at UCLA. They have exhibited in numerous group exhibitions, including We Are Made of the Earth, Our Skin Says So at A+R+T Gallery in Los Angeles, The Aesthetics of Undocumentedness at Dalton Gallery in Altanta, and The Latinx Project at NYU in New York. The have been a Native American Arts Grantee through the San Francisco Queer Arts Foundation and Galereria de la Raza and have served as an assistant researcher on the UCLA Indigenous Mapping Project. They also work transnationally with indigenous activists in Mexico. Art Gallery Window |
March 17, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 17, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 18, 2024(2 events)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 18, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window 11:00 am: Women's History Month - The Power of Stories11:00 am: Women's History Month - The Power of Stories – The Power of Stories LC-155 Teleconference Center |
March 19, 2024(2 events)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 19, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window 11:00 am: President's Hour11:00 am: President's Hour – Take a moment to share what's on your mind with Dr. Fierro. No appointment necessary.
Falcon Square |
March 20, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 20, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 21, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 21, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 22, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 22, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 23, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 23, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 24, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 24, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 25, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 25, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 26, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 26, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 27, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 27, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 28, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 28, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 29, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 29, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 30, 2024(1 event)
Window Dressing - AN INTERGENERATIONAL TRANSMISSIONWindow Dressing - AN INTERGENERATIONAL TRANSMISSIONMarch 30, 2024 Teresa Flores AN INTERGENERATIONAL TRANSMISSION Mar 17 – Mar 30, 2024 Teresa Flores is a multidisciplinary artist who explores connections between her Chicana identity and the notion of the California Dream. Through drawing, painting, video, and social practice Flores explores the ways generations of colonialism and assimilation in California have affected families like her own, who can trace their ancestor’s migration along the Pacific coast for generations. In exploring food and movement, collective art making and nurturing, Flores seeks innovative avenues of expression and pathways to healing. Her Window Dressing installation, An Intergenerational Transmission, consists of both window signage and a video presentation. The window signage is constructed from readymade LED neon wiring, wood, nails and hot glue. The sign, which spells out the words We Can Make Our Own, references the idea of collective autonomy and the economics of the Los Angeles artist tradition of the neon sign. The piece is based on a smaller 2017 LED neon sign and fully embraces the makeshift Chicanx practice of rasquachismo by not trying to hide imperfections in the construction process of the sign. Tortilla Burning is a durational video from 2007 that focuses on a single tortilla burning on a stove over a twenty minute period. The burning tortilla is a reflection on colonialism and assimilation in California. The video was created in remembrance of the time the artist’s grandmother spent in the child foster care system in Southern California in the early 1930s, where she was forced to cook and clean for her Mexican-American foster families while being abused and isolated for her indigeneity. Together, the two artworks celebrate humanity’s will to survive in the face of ferocious and shifting capitalist and imperialist world hegemony. They investigate our capacities to create when in survival mode and make visible the marks and burns of struggle and imperfection. East-LA based multimedia artist Teresa Flores is an inaugural Artist-in-Residence for the Dolores Huerta Foundation. Her drawings, paintings, videos, and social practice projects have been featured in Alta Journal, The New Yorker, and NPR and have been presented at the Los Angeles County Museum of Art, Spike Art Quarterly in Berlin, and Galería de la Raza in San Francisco. Flores has also exhibited with Dominique Gallery, Espacio 1839, and has been a featured artist in the annual Venice Family Clinic Art Walk and Auction. Flores studied drawing and painting at Fresno State, original home of the feminist art movement, before receiving her Public Practice MFA from Otis College of Art and Design, where she earned the recognition of Outstanding Alumni. Art Gallery Window |
March 31, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?March 31, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |
April 1, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 1, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |
April 2, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 2, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |
April 3, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 3, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |
April 4, 2024(3 events)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 4, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window 10:00 am: Spring 2024 Job fair10:00 am: Spring 2024 Job fair – Obtain job and internship information Network with over 30 employers Explore career leads Bring copies of resume Resume review available Visit https://www.cerritos.edu/student-employment/default.htm for more information and updates. Student Center 10:00 am: Whittier College Campus Takeover10:00 am: Whittier College Campus Takeover – Whittier College Campus Takeover ??????Thursday April 4 from 10:00am - 1:00pm
??????10:00am-11:30am
??????Tabling @ Library Foyer
??????11:30am-12:00pm
??????Lunch @ Multi-Purpose Building (MP) 205
??????(while supplies last)
??????12:00-1:00pm
??????On-the-spot Admission @ MP 205
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April 5, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 5, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |
April 6, 2024(1 event)
Window Dressing - WHAT DOES HE OWE US?Window Dressing - WHAT DOES HE OWE US?April 6, 2024 Nancy Buchanan WHAT DOES HE OWE US? Mar 31 – Apr 13, 2024 During the 2020 presidential race, Nancy Buchanan collected mailers that were sent to her friends solicitating donations for the then-president’s re-election campaign. For her Window Dressing installation, What Does He Owe Us?, she stitched together these printed forms and envelopes and then painted over them to create large-scale murals depicting iconic symbols associated with the greed and boorishness of the Trump presidency: a gilded coronation carriage and an oozing hamburger. Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she also produces installations, drawings, and mixed-media work. She assisted activist Michael Zinzun with his cable access program Message to the Grassroots from 1988-1998 and traveled to Namibia to document that country’s independence from South Africa. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and video works are archived). Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her work was included in the 58th Carnegie International. Art Gallery Window |